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Great blog you have got here. July 6, Denver’s commentating skills — history was made.

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Supplementary Firmware Update Manual English Firmware Manuals Firmware Software. Although your device does not support this download service, it can be used to view download information.

Title Version Released. Z 50 Firmware C:Ver. Software Manuals Firmware Software. Download software for Nikon products. Picture Control Utility 2 Full Ver. Webcam Utility Windows Full Ver. NX Tether Full Ver.

NX Studio Full Ver. Camera Control Pro 2 Full Ver. Webcam Utility Mac Full Ver. Wireless Transmitter Utility Full Ver. ViewNX-i Full Ver. Kudos, I appreciate it! Click on either the gear or lock icon next to your connected or saved network which you need the password for. Click on Share Password. Hello there! Looking at this article reminds me of my previous roommate!

He constantly kept preaching about this. I am going to forward this article to him. Thank you for sharing! Great blog you have got here.. I really appreciate individuals like you! Take care!! National Bible Bee Recap.

Share 0. Tweet 0. Certain members found that it was easier to remember ones memory verses if you were engulfed in a large blanket and closed your eyes while you recited. Some people preferred to pace back and forth as they recited…. Finally someone had the idea that we could ride with him in the tractor and listen to his verses while he waited in line at the grain elevator.

Josh of course was so focused and able to multi-task that he ended up reciting as he drove, and loaded, and unloaded, and waited, and everything in-between. The parents and the six youngest loaded up the bus and headed south. The five contestants sent us a picture of them outside the bus enjoying the warm sun, the first day they arrived.

Naturally, they are each holding several of those ever present stacks of verses…. Brother selfies from the hotel room. Finally it was time for THE actual competition!! Above is the primary contestant group. Senior contestants. We five oldest and a friend drove down for the final weekend competitions. We had a very lively road trip full of crazy little adventures and tired drivers.

Our crew. That night, it was announced that Josh, Taylor, and Hudson had made it onto the semi-finals! Thursday was a great day. Josh and Taylor advanced to finals. Hudson got a chance to follow along with the competition from the crowd and then give his thoughts to the audience through a fun little interview. A new addition to the format this year was a very professional and well-planned commentators stage. Denver and one of his close friends thought it looked like such fun, so they somehow found the person to talk to and asked if they could come to the backstage room and hop on the commentator stage for a bit.

What a HUGE gift. Such a blessing to have them join us for the finals. L’utente acconsente inoltre alla gestione del processo di ogni eventuale azione relativa al presente Contratto tramite posta ordinaria o qualsiasi altro mezzo commercialmente adatto di consegna con ricevuta.

Il presente Contratto costituisce l’intero accordo e intesa tra l’utente e Nikon, e supera e sostituisce qualsiasi altro accordo relativo all’oggetto del Contratto.

Salvo deroga espressamente contenuta nel Contratto, le clausole della sezione 3 e della sezione 4 insieme alle clausole che per previsione esplicita si applicano a periodi successivi alla rescissione del presente Contratto, sopravviveranno alla chiusura di tale Contratto per qualsiasi motivo.

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Neutral Control Point. Color Picker. Color Control Point. Protect Details. Lasso Tool. Edge Softness. Delete Button. Batch Menu. Camera Settings. Adjust Section. Selection Information. Opacity Mixer. Linking Enhancements. New Step Button.

Watch Points. Color Model. Sample Size. Color Wheel. Color Triangle. Open Image…. Open Recent. Save As…. Page Setup…. Print to File. Select All. Deselect All. Fit Photo. Curve Editor. Auto Contrast. Set White Point. Set Black Point. Color Lightness.

Red — Cyan. Noise Reduction. Apply Profile. Photo Effects. Grain Strength. Grain Color. Grain Type. Filter Hue. Third-Party Plug-Ins. Run Batch Process. Batch Process. Selection Display. Hide Selection. Show Overlay. Show All Control Points. Show Watch Points. Show Lost Highlights. Zoom Out. Full Screen. Hide Palettes. Reset Workspace. Edit List. Technical Support. The Browser. The Toolbar. File Menu. Edit Menu. Adjust Menu. Filter Menu.

Window Menu. Profiles with a Gamma Value of 1. White Balance. Color Mode. Image Dust Off. Vignette Control. Opening Images. Saving Images. Unsharp Mask. Life-Long Learning. Capture NX 2 contains a wide range of improvements designed to make it an even more complete and powerful photo editing application specifically designed for photography. The interface and tools in Capture NX 2 provide you with a new intuitive approach to the art and science of image editing that saves you valuable time and effort.

Capture NX 2 is the latest version in a long line of quality tools from Nikon designed to speed up workflow for photographers. With Capture NX 2 you will work with industry leading tools that deliver quality and performance you expect from a photo editing application. Unique among image editing software, Capture NX 2 provides you with the ability to achieve the highest quality results for processing NEF Nikon Electronic Format RAW files as well as powerful tools that can enhance any image.

The RAW format records important archival information about the conditions under which the image was captured. This information can be used by. Capture NX 2 to make unique adjustments to enhance the image after capture.

The following are some of the camera. After opening. The controls powered by U Point technology enable you to modify sections of a photograph directly or control where an enhancement is being applied selectively, all without having to go through the time-consuming process of creating a selection normally required in other software applications. U Point technology has been widely recognized as one of the most revolutionary technologies in the market today and now that technology powers even more tools in Capture NX 2.

U Point technology provides precise and direct control to a variety of tools within Capture NX 2, providing powerful yet simple photographic manipulation.

These control points provide you with the ability to create color and tonal enhancements, fix issues, or selectively apply photographic enhancements within any image, all being applied directly to the image and with immediate feedback.

The U Point-powered control points found within Capture NX 2 enable you to work with your images without the need to perform a complicated series of operations in a particular order. Control points work by identifying an object based on a number of criteria. When you place your first control point, U Point technology identifies the unique elements of the object on which you place a control point, including its position, color, saturation, and texture.

By identifying these elements, and in conjunction with the Size slider, the control point can determine the boundaries of the object in order to affect only that object and objects with like elements. With every control point that you apply to the image comes greater control over specific objects in the image.

The additional control points ensure that the adjustments you make are being applied to the current object only, and placing a control point on an object with default settings prevents other control points from affecting that object.

Through a unique mixing function, the effects of the control points are applied throughout the image so as to create a natural-looking, professional result. U Point technology powered tools are designed to make enhancements fast, professional, and of the highest quality. The results will be nothing short of amazing.

Open the CD through the My Computer icon on your desktop, and double-click on the setup icon that appears within the. If you downloaded Capture NX 2, locate and double-click on the setup file that was saved to your computer to begin the setup wizard. Product keys can only be purchased over the Internet in some countries and regions. NET Framework is installed and available on your computer. If not, the Capture NX 2 setup wizard will attempt to download and install the.

Those file types associated with Capture NX 2 that are then opened from within the Windows Explorer will be opened directly.

To install Capture NX 2 into the Macintosh operating system, follow these steps:. Double-click on the CD icon that appears on your desktop and double-click on the setup icon that appears within the window. Once the setup wizard has installed the files onto your computer, you will be provided with options to set up your color management preferences.

To determine how Capture NX 2 manages the color of opened images, follow these steps:. You are provided with two options to set the working color space:. When selected, Capture NX 2 will always use the profile embedded in the image that is opened as the working color space. If Capture NX 2 cannot determine the profile of the embedded image, the profile identified as the default RGB color space will be used as the working space for that image.

When selected, Capture NX 2 will automatically convert the image from the color profile embedded in the image to the color profile selected in the Default RGB Color Space pull-down menu.

Click on the Default RGB Color Space pull-down menu and select the desired color space to be used either if Capture NX 2 cannot determine the embedded profile or if the Always use the default RGB color space as the working color space option is selected. Upon first launching Capture NX 2 after completing the setup process, you are presented with the Capture NX 2 splash screen.

The Capture NX 2 splash screen presents you with the options of either running Capture NX 2 for 60 days with full functionality in trial mode or entering your product key. The Continue Trial button will be accessible for the entire 60 days of the trial mode. You may enter a product key and active Capture NX 2 at any point. If you purchased Capture NX 2 as an electronic download, the product key will be found in the email you received as a receipt of the purchase.

Do not lose this key. It is required when installing or upgrading this software and cannot be replaced if lost. When upgrading from Capture NX version 1, follow the installation instructions as listed previously in this chapter. When activating an upgrade version, your Capture NX version 1 product key will be requested. First, enter your name, company optional , and Capture NX 2 product key.

You will then be prompted to enter your Capture NX version 1 product key. Thank you for choosing Nikon, and welcome to our family of digital imaging products. We are confident your Nikon product will meet and exceed the high level of quality, reliability, and innovative design you have come to expect from Nikon. Please contact us if you have any questions or suggestions. We value your feedback and want to be sure you are completely satisfied with your purchase.

To assist us in serving you better, we ask that you please register your product on-line at www. Technical support for your Nikon Digital Imaging product is free. Support for computer related issues is free for either six or twelve months from the date of your first call to Nikon, depending on your product.

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In the Windows operating system, Capture NX 2 can be opened by navigating to the start menu, selecting the programs menu, rolling over the Capture NX 2 menu item, and selecting Capture NX 2. Click on Yes to begin converting the labels used by Capture NX version 1 into labels compatible with. Selecting this option will not remove the labels from your system and images labeled by Capture NX version 1 will continue to be accessible within Capture NX version 1.

A Please note : If you have many images labeled by Capture NX version 1, this process may take some time. Click on No to prevent Capture NX 2 from converting your labels. The last image edited can be found at the top of. Click on one of the displayed folders to open that folder within the Browser. Check this box to prevent the. The Drag an image here to open it section is available only in the Macintosh.

Finder onto this section. In the Windows operating system, you can drag an image. Capture NX 2 provides you with a number of ways of locating and opening images in order to enhance them. Click on the folder within the Folders palette that you wish to display within the browser. To open an image using Open Image… , follow these steps:. To open a folder of images transferred to your computer using Nikon Transfer, follow these steps:. After the next transfer is completed, the folder identified in the primary destination folder will be displayed within the Capture NX 2 browser.

You can then open one or more images by double-clicking on them within the browser. The NEF file format saves the complete contents of the Edit List palette along with the original image. All changes made to the image are stored separately within the file, enabling a non-destructive image editing workflow.

NEF allows for relatively small file sizes with no loss in image quality. Within Capture NX 2, NEF images remain nearly the same size as the original image file, regardless of the number of enhancements that are applied within the image.

This JPEG preview ensures that other applications can accurately display the current state of the image. This file size increase will occur only after the first save within Capture NX 2, while subsequent saves may cause small file size variations due to the inherent nature of the JPEG compression. For the latest information on supported digital cameras, visit the Nikon website for your area. TIFF is commonly used as a standard for high-quality image reproduction.

Saving your image in TIFF will result in a file that contains the final state of your image as shown within Capture NX 2, with full image quality. Once an image is saved in TIFF and closed, you will not be able to change the edits previously applied to the image within the Edit List palette.

The JPEG file format is one of the most widely used file formats. This file format enables you to save a greater number of images using the same amount of hard disk space as the other file formats.

To create such a small file size, a form of compression is used that irreversibly affects the quality of the image. Because of this compression, it is recommended that you only use the JPEG file format when a small file size is required.

While there is no single workflow optimized for every image, there are some basic guidelines to consider. When using Capture NX 2 to edit images, the following order is recommended:. Following these simple guidelines can help improve the quality of your images and provide a more structured approach to enhancing your images.

Chapter 6 — Getting Started Workflow Suggestions Capture NX 2 provides you with a full range of printing options. The print function is both easy and powerful, enabling you to create high quality, fully color managed prints. You can select Print… from the. File menu at any time to print the current image, or you can select multiple images from within the Browser palette to create a print package.

Print packages are essentially a collection of images printed at. Print packages make the most of your printer and paper, enabling you to create proof sheets so that you can review and select images based on the output, rather than the computer screen. Capture NX 2 provides you with a variety of different printing options for a single image.

If the. Chapter 6 — Getting Started Printing If necessary, modify the settings and click OK. If the image is larger than the page, click on the Page Setup button and select the appropriate paper size. To select multiple files, hold. To select all of the images in the current folder, navigate to the Edit menu and click on the Select All option, or use the.

Alternatively, you can use the Select Picture Size. Capture NX 2 will automatically tile the available images to fit onto one or more pages. Click on the page backward or page forward buttons to review the available pages. Batch processing is the automatic application of one or more enhancements to a series of images. Typically, a photographer will use a batch process to apply a predefined series of adjustments to several images at once.

Capture NX 2 contains even more methods of batch processing than before. Enhance an image that is representative of the images that you would like to apply a batch process to. Navigate to the Batch menu and select Save Adjustments…. Click OK. You will then be presented with the. Locate the settings file created in step 3 and click OK. Chapter 6 — Getting Started Batch Processing Click on the Edit…. To pause the batch process, click on the Pause button within the Processing Queue.

To prevent. To cancel the process, click on the button to stop the batch process and close the Processing Queue. Within the dialog that is displayed,. Next, ensure that the Apply settings checkbox is not checked.

Alternatively, you can use the keyboard shortcut of. The Advanced section provides you with options for the selected file format. Preferences modify the default behavior of Capture NX 2. There are nine different categories of. If Capture NX 2 displays unexpected behavior, the preferences may be damaged. Restoring preferences to their defaults may resolve this issue. To restore the preferences to the default settings, click on the Reset button within the Preferences dialog.

Choose this option to select the application you wish to use when opening files with the Open With… command in the File menu. This option utilizes a unique resizing algorithm to resize D1X images to a 10 megapixel equivalent image. The following options are available:. Use this option to control how the editing of steps in the Edit List palette is handled. When this option is turned off, the editing of a step in the Edit List palette causes any following step to be temporarily disabled.

When this option is turned on, steps will not be temporarily disabled, and you will be able to see the impact of the changes made with all steps being considered. Please note, when this option is turned on, additional processing will be required as all enhancements will be processed in real time. Turning this option on is only recommended for computers with powerful processors.

This option enables you to set the location where temporary data is stored. If possible, set this option to use a folder on a disk other than the primary startup disk. Chapter 7 — Preferences General This option is automatically enabled if you selected the Always use the default RGB color space as the working color space option during. This preference enables you to set the default profile to use for your printer as well as within the soft proof feature. Check this option to automatically change the color profile within the color management section of the print dialog to the profile set with the Printer Profile option.

Use this preference to set the default rendering intent for the various color management features throughout Capture NX 2. The different rendering intents control how colors from your image are made to fit into the colors that your printer can produce as indicated by the printer profile.

A Please note : different printer and paper combinations, as well as the different software used to create printer profiles, benefit from different rendering intents. Experiment with the different rendering intents within your workflow to find the option that works best. This rendering intent maintains the relationships of colors so that the printed image appears natural to the human eye. While this intent maintains the relationship of colors, the actual color values will be changed.

This rendering intent produces highly saturated colors, but it may not produce accurate colors in a photograph. This rendering intent maps all of the colors that fall outside of the gamut of the target profile to the closest reproducible color. Despite the fact that exposure adjustments are a very powerful tool and unique to RAW files , you still must be careful.

Severely over or underexposed images may Correcting an overexposed image. Clockwise from top left: Original image, lose quality if you have histogram showing severe right-shift; Exposure Compensation slider moved to the to adjust the exposure left– a value of Note that there are still some lost highlights in the lower left of the image– strongly.

However, the overall image is quite usable. In this image, the overall exposure is good, but the face still needs lightening with local adjustments.

Or Left-shift too dark worse, you might have an image where highlights are pushing the right-hand edge of the histogram, Clipped highlights but the image is a little bit underexposed.

In this example left , not only are there blown highlights, but the overall image is slightly underexposed. The image histogram right confirms this. The image will turn black, and blown highlights will be in color the color represents the channel that is clipping– Red, Green or Blue.

First, exposure was increased by 0. Then, Highlight Protection was dialed in until the clipped highlights disappeared right. The corrected image below is ready for further processing. Strong amounts of highlight protection can sometimes cause color saturation to decrease. This effect can be fixed with the Saturation slider in Quick Fix.

What this means is that you try to avoid blown highlights at all cost, even at the expense of some lost shadow detail. This is very useful when you are applying minus negative exposure compensation to an image to recover highlights and then want In this image, the overall exposure looks OK, but the shadows are just a little dark to get the shadow details for my taste.

Move the Shadow Peak showing dark tones Protection slider to the right to recover shadow details. I rarely go above Histogram looks OK overall. Adjust the Saturation slider to the right to compensate for the loss of saturation when using the Shadow Protection slider. Notice how the peaks in the middle of the histogram got taller. The best way to adjust brightness and contrast is by adjusting Levels and Curves. You can make basic levels and curves adjustments in the Quick Fix palette.

The positive side of this technique is that the adjustments are made on the RAW data. Principles of Levels Adjustment The Levels control can be used to adjust overall image contrast and brightness. The Levels controls are three triangles sliders beneath the image histogram in the Quick Fix window. Normally, the black point slider is all the way to the left on the histogram.

The tonal value the black point slider rests on gets converted to a tonal value of zero pure black. As tonal values fall to the left of the black point slider they are converted to pure black. White Point Slider: The white point slider is on the right hand side of the histogram. Tonal values that fall to the right of the white point slider are rendered as pure white tonal value of As you move the white point slider to the left, you convert tonal values to white. You can do this easily with the levels tool by bringing the black point and white point sliders closer together.

The middle slider affects the midtones of the image. Slide it to the right to darken midtones, slide it to the left to brighten midtones. Notice how the Curves Control bends when you slide the midpoint slider. Brighter midtones Darker midtones Curves If you want to use the Curves tool, simply click a point on the Curve Control line and drag the point up or down.

Dragging a point on the curve upward lightens its corresponding tonal values, dragging the curve downward darkens the corresponding tone values. If you add multiple points to the curve, the steepness of the line dictates contrast between any two points. Steep lines mean high contrast, flat lines mean low contrast. Use the curves tool with care.

Click points on the curve and then drag them to move. The steeper you make the line, the stronger the contrast will be in that part of the tonal range. Another reason to use the Saturation slider in Quick Fix is because it gives more control than the Picture Controls.

By default, the Saturation slider is set at zero unchanged. When you couple the Quick Fix tools with the Camera Settings, more often than not you can make all the global adjustments you need to your image. Although it contains some useful tools, they rarely come into the equation when processing NEFs. Of those two tools, the Auto Color Aberration tool is enabled by default and I leave it on at all times.

The other tools in this set are for special circumstances and I rarely need to use them. Note: This operation is processor-intensive and will take some time to complete.

Refer to your camera manual for instruction on how to create the reference image. Make sure the folder you choose has a NDF file in it. If not, navigate to the folder containing a dust- off reference image and click Open. Note: This feature is processor intensive. Personally, I just try to keep my sensor clean and use the Auto Retouch Brush in the Edit List to eliminate dust spots. Color aberration, also referred to as chromatic aberration, manifests itself as purple or red fringing around high- contrast areas in your images.

This is especially common in the corners of images produced using wide-angle lenses. One of the nicest features of Capture NX2 is that it automatically removes color-fringing from your NEFs, regardless of the make and model of your lens.

The Auto Color Aberration tool is enabled by default; I never turn it off. Other RAW converters offer CA removal, but it is usually a manual process involving two different sliders. I find the NX method to be much simpler. Left: Image processed without Auto CA removal. Right: Image processed with Auto CA removal enabled. I find this tool to be hit or miss. But here it is, in case you want to try it out. Light fall-off occurs when the image circle from your lens is not uniformly bright across the frame.

Usually this happens when using Corner shading fast lenses wide-open. The Vignette Control slider can reduce the effect of light fall-off; some cameras, like the Nikon D3, have an in-camera vignette control option, which enables this control automatically in Capture Before vignette NX2.

Moving the slider to the right positive values brightens the corners of the image. Moving the slider to the left darkens the corners of the image.

While de- fishing is no substitute for a rectilinear wide-angle lens, it can work in a pinch. Because global adjustments are the foundation for the local adjustments applied later in the editing workflow, it is critical that they be done early on in post processing.

Fundamentally, the Develop Section is not a place where you need to spend a lot of time; but it is a section that you should be thinking about first before you move on to making other adjustments in Capture NX2.

Often times, the Picture Control presets get you where you want to be without further adjustments. The best part about the Develop Section in Capture NX2 is that it effectively takes over the majority of global adjustments to light and color that would otherwise have been made in separate Edit Steps in Capture NX 1. Because the Develop Section is fairly easy to access, it offers a quick solution for getting your images prepared for further processing assuming they even need it.

In the Adjust Section, you can apply many different kinds of effects to your image. Moreover, applying an Edit Step locally does not require complex masking routines, which makes using them easy.

Edit Steps are not adjustment tools in the traditional sense. Instead, they operate as containers that hold adjustments that you place in them. Edit Steps are saved to your NEF as instruction sets, and can be deleted from the Edit List at any time, making them a non-destructive form of editing.

The simple answer is that the only pre-defined editing palettes in Capture NX2 are the tools in the Develop Section. For those of you who are familiar with Adobe Photoshop, Edit Steps are conceptually similar to adjustment layers– the steps themselves are just placeholders until you define what adjustment you want to put into them.

Notice the yellow border around the Edit Step– this indicates that it is actively selected. Any adjustment placed in an Edit Step can have opacity and blending effects applied to it. The yellow box around the Edit Step should disappear. Right: Closing the Edit Step and deselecting it shows that it is no longer highlighted in the list. Note: The Develop Section also utilizes the Reset icon.

A useful feature to keep in mind when you are applying effects in Edit Steps is the Opacity and Blending settings. The blending modes change the way the effect appears in the image: Normal: Effect is applied to all channels at full- strength. This is the default blending mode. Lighten: Applies the effect to areas of the image where the result is brighter than the original image Screen: increases the pixel values of the resulting Us the Blending Mode menu to choose one of six blending modes.

Tonal values above neutral are lightened, tonal values below are darkened. Tonal values of exactly are left alone. Multiply: subtracts the tonal value of the effect to create a darkened final image Darken: the effect is only applied in areas where the With RGB mode, you can selectively apply the effects to any result darkens the image. Other opacity options You can choose to apply the Opacity effect in all channels default , or in individual color channels RGB , or you can apply the effect in the luminosity brightness and chrominance color channels.

All told, the opacity and blending modes offer a significant amount of flexibility for applying effects in Edit Steps. However, there are a few instances where you might want to take advantage of some of the other tools for adjusting global brightness, contrast, and color balance. Again, it all depends on the feeling you are trying to convey with your image. Central to getting image contrast set correctly is the concept of defining the black and white points in your image.

The image will turn gray. The double threshold tool allows you to see anywhere in your image that has a tonal value of 0 black or white. Everything in between those values is rendered gray. Black threshold slider White threshold slider White areas are the lightest points in your image. Black areas are the darkest points in your image. An easy way of setting the black point on your image is to use a Black Control Point. The Black Control Point allows you to set the darkest pixel value in your image, but it also gives you control over luminosity brightness.

The Black Control Point will also remove color casts from shadow areas. This is especially useful for portraits. The Black Control Point will be visible in the image. White Control Points not only establish the lightest point in your image, but they also remove unwanted color casts.

What about the Neutral Control Point? It can be useful in JPEGs if you have a neutral gray object in the frame. That means that color shifts can occur Midtone slider when using this tool, making it useful for White threshold slider correcting color casts. The histogram will show only the data from the selected color channel. An anchor point will be placed on the curve. The Anchor Point Tool lets you click on your image to place a point on the curve that corresponds to the selected tonal value.

You can also use this technique with the LCH editor if you want to only affect luminosity brightness data and protect the color data. Notice how the curves changed for each of the three color channels. Left: Contrast and color balance were adjusted with Auto Contrast. Right: Contrast was adjusted but color balance was left unchanged. Fortunately, you can use the Auto Levels tool to apply automatic levels and color balance correction to each image in a batch job. Slide the sliders to the left to reduce the effect; slide the slider to the right to increase the effect.

Top: Default settings. Bottom: Custom settings. Use it to control luminance and color. Simply put, this adjustment tool allows you to control Brightness and Contrast lightness , Saturation chroma , and Hue– all in one step.

A unique aspect of the LCH editor is that it separates out luminance brightness information from chrominance color information. All the same icons are there– including the Levels sliders reset icons and the Auto Contrast icon.

The LCH window changes from the image histogram to something more akin to a color spectrum. Want to darken a blue sky? Click the line where the blues are and drag the point downward.

Want lighter reds? Click the line in the red part of the spectrum to add an anchor point and drag it upward. The resulting curve shows you which colors are affected by your adjustment. In the example above, yellows and your image and modify light greens are made lighter by dragging an anchor point upward on the curve. I probably use this option the most to make saturation adjustments to Anchor Point Tool specific color ranges. In fact, you use this Master chroma editor in exactly the adjustment same way as the color lightness editor, but now you also have the option to increase or decrease saturation of any point on the entire color spectrum.

In this example, 4 Use Anchor Point greens are boosted and blues are desaturated. The LCH editor can help solve this problem by protecting skin tones from becoming oversaturated. Anchor Point tool But, if you want to make selective adjustments to the hue in your image, this is the place to do it.

As with the Master Hue adjustment chroma editor, you can make overall hue changes or limit Hue Map them to certain colors. Rotation tool Moving the curve maps a color from the baseline value to the new point on the spectrum. Essentially obsolete with the advent of Highlight and Shadow Protection Sliders in Quick Fix, but can be applied in an Edit Step if desired, or if local application is needed.

Color Balance Basic controls for adjusting brightness, contrast, and color in an Edit Step. Most often used during soft-proofing to make global changes to color balance. Color Booster Allows you to increase saturation globally in a way that is not overpowering. For example, how many times have you struggled to make an adjustment because correcting one part of your image ended up making other parts of your image look worse?

Local adjustments are effects applied to certain parts of your image while leaving other parts alone. Both methods are valuable and have their own specific strengths and weaknesses. By creating selections in Edit Steps, it means you can transform every effect in Capture NX2 from a global one to a local one.

The ramifications of this transformation are huge. Need to brighten a face? Use a local adjustment. Capture NX2 selection tools make it possible to create special effects or simply make improvements to your image that you might otherwise have to do in another application. By staying in Capture NX2, you can, in many cases, keep your image in the NEF format from camera to print and save time otherwise spent switching between editing applications. Note the opacity slider underneath the toolbar.

You should see the entire image turn green. Using the fill tool selects the entire image; the green color is the mask view 5 Select the Remove Tool showing the selected area. The green fill is removed. The Marquee and Lasso tools in Capture NX2 work a little differently than those you might be familiar with.

These tools alone do not define a selection, per se. Use the lasso to make free-form selections; the various Marquee tools are used to create defined shapes.

Creating a Selection with the Lasso or Marquee. The selected area will be filled in green, showing that it is now an actively selected area. The fill is applied outside your selected area. The green mask is removed from the area defined by the lasso. You can modify lasso selections by holding down the shift key add or option while using the lasso tool. This represents the area affected by the selection. When you choose an adjustment to place in the Edit Step, the mask view will disappear.

There are three ways to view Edit Steps that have selections applied to them: Hide Selection: Selection mask is not shown, showing you the image as it would appear normally with the effect applied. Tip: You can toggle the different views by right-clicking the mouse in the image Clockwise from top right: Hide Selection view, Show Overlay, Show Mask.

Edit window and choosing the view you want to use. Selection created with the lasso tool only. Selection created with the lasso tool bright green and Base Mask applied. One of the most straightforward selection tools is the Selection Brush.

Use these options to set the brush size, softness, and opacity. The effect of Brush Hardness is illustrated in this selection view.

Tip: Keyboard Shortcuts There are numerous keyboard shortcuts in Capture NX2, but the Selection Brush tool is a good example of where they come in handy.

The gradient tools define selections on their own. New in Capture NX2 is a radial circular gradient tool to go along with the linear gradient tool. The gradient tool helps blend your effect so that it appears natural. Slide the transition point to define the length of the transition zone. The Show Mask view inset shows the selected area in white. Note that the effect is not applied in a hard circle! Left: Image showing the effect of a minus Selection Control Point.

For example, you might want to apply a selection to a large expanse of sky. To match settings between Selection Control Points, use the Duplicate command. With a two-button mouse, you can use the contextual menu by right-clicking on the Control Point. Drag the new Control Point to where you want to place it in the image right. Show Mask view shows the effect of the two Selection Control Points; the selected area is in white.

This is how the tools interact with each other. The Base Mask cannot be applied until a selection tool is added to the Edit Step. Base Mask has Selection Control Point added. Base Mask added– overridden by Selection Control Point. You can link multiple adjustments into a single Edit Step. This technique is very handy with local adjustments if you want to apply more than one effect to the same selection area. A common trick in the field to even out high-contrast scenes was to use a graduated neutral-density filter.

The overlay view will disappear. In this image, the sky and mountains can be darkened. After you created the Dodge and Burn tools on the previous page, you might want to use the same effect on other images. Rather than manually adjusting the Edit Steps each time, it is a tremendous time saver to create a Settings File of your Edit Step s and apply it using the Batch tool.

This is the only step you want to save. When you are finished, the new setting will be stored in the batch settings list under the Batch icon. Make sure that only item checked in the Save Adjustments dialog is the setting you want to save. The Control Point approach to making selections is fast and intuitive.

Creating a selection that would normally require several minutes or more of mask work in Photoshop can be done with a single mouse click in Capture NX2 using a Control Point. Color Control Points and Selection Control Points both use the same technology, and so both create selections in the same way.

The difference between these two tools is that while Selection Control Points simply define a selection in an Edit Step, Color Control Points have a suite of tools built into them for adjusting local color, brightness, and contrast. A simple rule is that if you are making adjustments to light and color that require a complex selection, Color Control Points should be your first choice. One last thing about Control Points: not every image needs them, and those that do often only need a small number of Control Points.

It can be very tempting to start adding Control Points in all your images. Remember, sometimes less is more. Each slider controls a different adjustment parameter. The most commonly used controls are the Brightness, Contrast, and Saturation sliders, which are visible by default. Selected areas are shown in white. The main slider attached to a Control Point adjusts the size of the effect. The size slider determines the relative distance from the control point that the effect is spread over. This will give you a feel for how the tool is making selections.

Put the control point on a diverse area of the image, and the selection changes dramatically. Notice how the moon top was not selected, as it did not match the pixel information in the sky. You can add more than one Color Control Point to your image, but it is important to know how multiple Control Points interact. When you place two Control Points in the same Edit Step, they will act to cancel each other out in areas of overlap. This property of Control Points is actually quite useful.

Notice that the face turns black. If you want to create additive effects with multiple Color Control Points where effects are not cancelled out , then use separate Edit Steps A second Color Control Point placed on the face chooses the skin tones, and for your Control Points. Then the effects will overlap. Control Point behaves as though all its sliders are set to zero. While you cannot add to the area selected by a Color Control point, you can use the minus brush to remove the effect from parts of your image.

These are the protected areas that the Color Control Point can no longer affect. Rather than adding another Color Control Point and trying to manually adjust each slider to match the settings of the original point, you can use the Duplicate command to make exact copies of your Control Points. Place a Color Control Point on your image and adjust the sliders to your liking. As an alternative, you can right- click on the Control Point and choose the Duplicate command from the contextual menus.

Move the duplicate point to where you want to place it in the image bottom. Color Control Points are my go-to tool to recover shadow detail in photos taken of people wearing baseball caps where the face is in the shadows.

The best part about using a Control Point for this effect is that it looks totally natural when applied correctly– and it is ridiculously easy to apply it correctly.

The unfilled circle on the triangle represents the current color of your control point. Turn the wheel to adjust hue, or place the dot wherever you want in the triangle. You can use the eyedropper icon to pick out a color point from anywhere on your image. Click the eyedropper icon and then click an area on your image that has the color you desire. It is very easy to get unnatural looking results. Click and drag the edge of the color The eyedropper icon lets you pick a wheel to change hue.

Opening the Swatches Panel gives you access to commonly used colors. No longer do you need to use a separate pixel editor program to edit your image simply because of a dust spot.

The Red Eye Control Point is used to remove the red-eye effect sometimes seen in indoor flash photos. Of course, not all my images will need these tools, but it is nice to know that they are there when the situation presents itself.

It makes removing dust spots absolutely painless. Auto Retouch Brush in 1 Open the image action Notice the dust spots in this image. Adjust the size of the Auto Retouch Brush using either the size slider that appears beneath the toolbar, or by After Auto Retouch Brush using the keyboard shortcuts [ or ]. Repeat for additional dust spots, offending seagulls, or anything else that is small and distracting. Tip: Keep your sensor clean One way to get rid of dust spots is to have a clean sensor.

I recommend the Copper Hill method. Before We all have shots where our subject looks like the devil with red eyes. Use them in the situations where they are warranted. Obviously, if your horizon is level in the image then using the straighten tool makes little sense.

Use the Straighten tool to correct tilted images. Drag the Straighten Tool across the horizon line or other reference point. Some lenses, especially super-zoom lenses and wide-angle lenses, will produce images with slight distortions. You can use the Distortion Control Tool in Capture NX2 to correct distortions in your images caused by lens aberrations.

Note that white areas appear around the image. You can change the fill color using the Fill color tool in the Edit Step. Drag the slider to the right to correct barrel distortion. One way to use the Crop Tool is to help improve your compositions. Remember, the Crop Tool does not resize your image. Use constrained cropping to maintain a particular aspect ratio for your image. Use the in your image. As anchor points on the corners and sides of the crop frame to resize it.

Click the Enter key on your keyboard or double- click inside the crop area to set the crop. You can remove a crop at any time by deleting the crop step from the Edit List. Not to worry; the effect will stay applied in exactly the same place you originally put the Control Point. Warning: Placing Control Points after cropping If you place a Control Point on your image after you have cropped it, and then later decide to delete the Crop Edit Step, the Control Point will not only move in your image, but its effect will be replotted, as well.

I strongly encourage you to crop after all Control Points have been added to your image to avoid issues. In addition, if you install 3rd- party filters, like Nik Color Efex Pro, these items will be displayed in the Filter Menu.

This of course allows you to apply Filter Effects globally or locally. This filter will darken the complementary color to the color you choose. For example, a yellow filter will darken blues in your image and lighten yellows. This is a filter that I use very little, if at all.

Colorize Use the colorize filter to overlay colors onto the image. Use the color selector or eyedropper tool from the Colorize tool to choose the desired color. Black and White Conversion Use this filter to convert color images to black and white. The filter option works in the same way as the filters in the monochrome settings in Picture Control.

These filters will show up in the Filter Menu, and are also applied in Edit Steps. The filter options you see will depend on the version of Color Efex you have installed. By now, you have probably noticed that when you disable in-camera sharpening in Picture Control, your image looks quite soft. In Capture Sharpening, you need to consider our camera.

Second, you must also consider our subject matter. Output Sharpening happens as the very last step in the output stage of your workflow and takes into consideration the size and destination of your image.

A small image destined for the web will be sharpened much differently than a 16×20 inkjet print. Capture and Output Sharpening are applied as global adjustments. In between the two sharpening steps, it is an option to perform some selective sharpening or blurring of our image to get a desired effect.

Noise Removal Depending on your camera and how you use it, noise may or may not be an issue. Every camera manufacturer has its own approach to noise removal, but one thing is constant; removing noise can cause a loss of fine detail in images.

Your sharpening settings will be impacted by any noise removal settings you use, because these two processes are effectively working against each other.

Therefore, it is important to be able to adjust sharpening settings in the context of noise removal. In my opinion, leaving noise removal up to the photographer is a good thing. If you plan on using any of these programs some of which are quite good , do not sharpen your image at all, and do all your noise reduction and final output sharpening in Photoshop or Photoshop Elements.

First, it provides excellent control over image sharpness. Second, Capture NX2 automatically applies USM only to the luminosity channel of your image, reducing the appearance of color shifts and other artifacts. The third, and possibly nicest feature of sharpening in Capture NX2 is the fact that sharpening becomes a non-destructive process. While there are ways to sharpen non-destructively in Photoshop, those techniques are far more complicated and require bitmap layers that can easily double the image file size.

Think of it as a master volume control for USM. Radius: This slider changes the distance over which the USM effect is applied. A small radius sharpens fine detail, a large radius sharpens overall shape. Threshold: The threshold slider adjusts the sensitivity of the USM tool to differences in tone values between adjacent pixels.

The value you enter is the number of tonal steps that any two adjacent pixels must differ by in order to be affected by the tool. A threshold of 0 would sharpen just about anything in the image; a threshold of would sharpen almost nothing. Make sure Picture Control sharpening is set to zero 0.

Clockwise and then adjust the from top left: No sharpening applied; over-sharpened image; proper Capture intensity slider to get Sharpening. That to your hard drive and way, I can quickly choose between Neutral, Standard, and then use the Manage Vivid presets from the batch icon and turn off sharpening at Settings tool from the NX2 preferences options to the same time.

Settings files can only be opened from within Capture NX2 when an image is active in the Edit Window. Another sharpening technique uses the High- Pass filter to enhance image contrast. To apply high-pass sharpening: 1 Open an image file. Your image will turn gray. NR blurs noise, sharpening enhances noise. Noise starts to appear in images as you increase the ISO setting in your camera. Different sensors have different noise qualities, but in general, noise can occur in either the chrominance color part of your image or the luminance detail part of your image.

Note the mild chrominance color noise and moderate luminance noise grain. The quality setting will greatly impact the amount of time it takes to process the Noise Reduction filter.

The two adjustment sliders seem simple enough: Intensity and Sharpness. The sharpness slider works by restoring detail in the luminosity channel, while the Intensity slider blurs both color and detail. People obsess about noise and noise reduction. I suggest that Noise Reduction be applied sparingly. Consider that just about every digital camera on the market today provides images that are significantly cleaner than film ever was, even at high ISOs.

When should you use Noise Reduction? When can you skip Noise Reduction? If you apply NR to your image, consider using a lower amount of USM, with a higher radius and threshold than you would normally use. This setting will help prevent your USM step from re-sharpening all the noise you just tried to remove!

Intensity is on the left side of the table, and sharpness 5 settings are listed at the top. The intensity slider functions to blur image data, especially in the chrominance color channels, which helps to 10 remove the appearance of noise. The sharpness slider reduces the blur from the intensity slider, but it does so primarily from the luminosity channel.

The trade off of most NR tools is that it is easy to remove color chrominance noise 25 without harming image sharpness; if there is luminance noise grain , removing it destroys detail significantly. Usually, there are areas in images that have detail we wish to preserve, and other areas which are out of focus or where sharpness is not critical, like skies. Make sure sharpening is turned off and that you have not performed any sharpening on the image.

Adjust the intensity slider so that the color noise is removed. The image will look smeared. Optional: Selection Control Points are very useful for adding NR to skies at a strong level Use the Opacity Mixer to reduce Luminance opacity until the while leaving the rest of image has detail again.

Note the chrominance and luminance noise. Sharpening will tend to counteract this blur. You may want to reduce the radius slightly if you get major halos in the image.

Adding noise reduction is always at the expense of some image detail, so use it sparingly. Nikon D2Xs, For more on versions, refer to page Typically, that means making a print, but sometimes it means making a small JPEG for the web, or an image that I can send to friends or clients via email. How you optimize your image for its final output depends on the size and quality of the image, as well as its final destination. Most often, I resize my images for printing them without cropping them first.

That is, I keep the image in its native aspect ratio and either make the image smaller or larger, depending on the print size. There are two methods for resizing images: resizing while resampling and resizing without resampling. Resampling allows you to set the image resolution by interpolation while also scaling the image.

When you use resampling, the dimensions of the image, in pixels, changes and the file size will increase or decrease. Resizing without resampling will keep the pixel dimensions and file size constant; resolution will change depending on the size you make the image. The method that you choose will depend on the final output size and destination of your image. The other side of the image will be adjusted proportionally. Resizing without resampling will change the image resolution but keep the file size in pixels the same as the original.

Resizing with Resampling will allow the File Size to grow or shrink, depending on the image size. Note that the original The most common use of the Crop Tool is to produce an image that has a particular aspect ratio. Common picture frames, however, come in the aspect ratio 8×10, 16x Set the aspect ratio to 8x Use portrait orientation for vertical shots; landscape orientation for horizontals.

The other field will scale to 8 inches. This is why you need to combine a crop with a resize step in Capture NX2. Before you try this technique, it is critical that you have a calibrated monitor and you have installed the paper color profiles for your printer.

The toughest part about soft-proofing is remembering out what the original image looked like. This technique is a great way to ensure the best possible soft-proofs.

This creates a copy of your image. At least I can be ready for that when I go to print the from the Target Profile image! Choose either relative colorimetric or perceptual rendering whichever you think looks best. Make sure black- point compensation is enabled.

Understand that in some cases, a perfect match may not be possible due to the gamut color space of your printer. To overcome the sharpness loss when printing, I recommend another round of sharpening, often referred to as Output Sharpening. As a general rule, an image properly sharpened for print will appear to be over-sharpened on the screen. This will add a High Pass filter into the open Edit Step. When you are saving an image for the Web or email, you need to make it smaller and convert it to the sRGB color space.

This procedure will do just that. Use relative colorimetric intent and black point compensation checked.

The print dialog will open. Otherwise, Capture NX2 will try to scale the image to fit the paper. This will allow Capture NX2 to control the color settings. Higher quality settings result in a larger file size.

In the JPEG save options dialog, you can set the compression amount to vary file size. You can change this directory in the Capture NX2 preferences. Use the Open With Certainly, Capture NX2 puts a tremendous number of tools at your disposal. The other way to speed up image processing in Capture NX2 is to take advantage of its automated presets. Other images require special handling, but the majority of my editing steps happen in mere seconds.

In just one or two clicks of my mouse, I can apply Edit Steps that contain my most commonly used adjustments. The Save Settings dialog box will open. I save my settings to the default location. Check the box next to the step you want to save.

Make sure all the other steps are unchecked. This is useful for making changes to Picture Control Settings without having to expand the Develop Section. Make sure this is the only option selected, unless you want to save other parameters. You can access all your saved settings from the Batch Icon in the Edit List.

All you need to do then is make the adjustments to the Edit Steps as you see fit. The Settings preferences dialog will open. Note: If you move the location of a Settings File, it will no longer appear in the list. This will permanently delete the file from your computer, so use this option with care! By using the versions tool, you can store multiple instruction sets for each NEF.

For example, you can save different crops, different image sizes, or different processing effects into a single NEF. Look for blue text to link you back to pages in Section I where you can refresh the use of a particular tool or technique. Portraits usually require soft lighting and low contrast.

Colors should be slightly muted in formal portraits. These settings accomplish that. Control Points will let you easily add fill lighting effects. After 7 Drag the point created on the chroma curve downward, and the widen it with the width slider. This links a second blur step along with the first one.

The skin softener effect works by linking two different Gaussian Blur effects into the same Edit Step. Note: Perform this step after Capture Sharpening. Move up 4 Click two points on the Master Lightness Curve as shown in the illustration. Then keep moving the slider to the right about 5 more units. Boost the saturation of reds and greens in the Chroma channel editor. Widen them with the width slider.

Move the master chroma slider up to an output level of 5. If the image appears over- sharpened, reduce the Amount slider. To selectively remove haze from a scene, you can use a Color Control Point. Use duplicate Control Points to fill in other areas as needed. This is a very subtle effect, but it can add some clarity to images that have large, distant objects in them.

This is the basic formula for adjusting images of wildlife. I treat wildlife images as sort of a hybrid between landscapes and portraits. I usually want my wildlife shots to have rich colors, but I also need to retain detail in fur and feathers.

This is the basic routine I use for processing wildlife images. The Black and White Conversion filter allows you to change your color images into powerful black and white images. Leave the black luminance at 0 and the white luminance at Apply Capture Sharpening. Add duplicate Control Points as needed to cover the sky and trees. If you have an older Nikon DSLR lying around, you might want to consider having it modified to shoot infrared images. A recommended place to get your camera converted to infrared is Life Pixel; www.

Double Threshold This will enhance colors in the infrared image. Tool to set Black and White Control Points. This step is entirely subjective. Then place a Neutral Control point anywhere on the image where you get nice midtones. Of all the topics in digital photography, workflow is probably the most confusing and contentious. Why is digital workflow such a challenging subject? There are different kinds of photographers out there, from the fine-art photographers who process a select few images to the high-volume, deadline-bound wedding photographers and photojournalists.

The tools suited for one style of photography may be insufficient or total overkill for other styles of photography. Workflow is also very tightly tied into the kind of camera and computing equipment a photographer chooses to use. Computer hardware creates limitations on workflow, too. My goal in this section is to share the way I do my own workflow, and give some ideas on how you can set up your own.

This allows me to set up some basic requirements that help me evaluate whether a software application will be useful in my workflow. The whole idea of having a workflow is to not only have a reliable process for managing your digital images, but also to minimize the amount of work needed to do the management.

This is what your camera and camera settings is for. Here is where you transfer images to your computer, set up file storage strategies, and evaluate images to decide what is worth processing and what is trash. Up until now, this book has essentially dealt with 3, the Processing Phase.

As a NEF shooter and Capture NX2 user, however, there are some important considerations to make when choosing a workflow application. First, you need to determine how the workflow application display RAW images. The apparent strength of many applications that offer RAW support is also their biggest weakness when it comes to NEFs. In Image Browsers compared.


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Capture NX-D consente la regolazione fine delle immagini, per esempio modifican-do luminosità e tinta, e può anche essere usato per modificare le immagini RAW scattate con le fotocamere digitali Nikon e salvarle in altri formati. Regolazione fine delle immagini Con Capture NX-D, è facile regolare impostazioni come luminosità e bilanciamento. Program Capture NX 2 je vytvořen tak, aby podporoval rovněž soubory ve formátech JPEG a TIFF, a poskytoval unikátní vlastnosti a plnou podporu digitálních fotoaparátů Nikon pro možnost dodatečné změny mnoha. nastavení provedených na fotoaparátu během fotografování. Po otevření souboru ve formátu NEF g: italiano. Jun 28,  · Elfo 4 Pdf Free [READ] Cronicas De La Torre Iv Fenris El Elfo 4 PDF Book is the book you are looking for, by download PDF Cronicas De La Torre Iv Fenris El Elfo 4 Preview Download That’s all for the manual nikon capture nx2 español pdf, so feel free to leave a comment if you have a better answer.